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Your friendly Gilmore reviewer's take on the Palladinos' departure

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Gilmore Girls: I Get a Sidekick Out of YouBob beat me to the punch with the news that Amy Sherman-Palladino and Daniel Palladino are going to leave Gilmore Girls at the end of the year, so I didn't get to post my reaction to the story. Well, I've read Mike Ausiello's story, digested the comments, and slept on it. After all that -- and I'm sure you're all on the edge of your seats -- here is what I think of the move:

Eh.

I do agree with the notion that the show's not going to be the same without AS-P's guiding hand. Her -- and to a lesser extent, her husband's -- writing is what gave the show its signature sound and cadence, with everyone talking a mile a minute and bringing up more pop culture references than seems humanly possible. I don't care how much Dave Rosenthal, the new show-runner, has been involved with the Girls in the past, it's just not going to be the same without the Palladinos.

Lauren Graham told Ausiello as much a couple of years ago: "You can feel when someone else is trying to write Gilmore Girls-ish dialogue, you can just feel that it's... I know some people think that we talk too much, or the tone is not for everybody. Sometimes I just want to take a breath or have a reaction shot. I get it. But this is the person who is telling the story. So someone would be stepping in trying to replicate that, and I just think it's a bad idea."

But things have not been going well in the world of Gilmore this year. Both of the major storylines -- Rory's separation from Lorelai and Yale, and the throwing of the April-shaped monkey wrench in Luke and Lorelai's engagement -- have taken away from the snappiness and lightness that previous seasons had. And, yes, both Lor and Rory went through relationship pains before, but never a) with this much doom and gloom, and b) with this "I'll just make a sad face and not tell the people I love exactly how I feel" demeanor about them. It's completely out of character and makes the show more soap opera and less comedy, which is completely opposite the formula that made people fall in love with the show six years ago.

The previous episode illustrated the contrast in microcosm: the first 45 minutes were fun, with jokes and banter and funny scenes that had little to nothing to do with Luke and Lorelai or Rory and Logan; all we saw was the mania surrounding a Stars Hollow-centric event, which was Lane's wedding. Then the show turned back to pathetic depression when Lorelai learned that Rory had met April (that's the scene depicted in the picture above. To paraphrase Bart Simpson, you can almost see the moment when Lorelai's heart ripped in half).

Even though Lorelai's drunken toast/lament was a good way to illustrate how she truly felt about the situation, the moment was a letdown because a) it should have happened five episodes ago at least, and b) she should have been saying this to Luke. That's what the old feisty Loreali would have done, not the simpering one we had this season. First she couldn't talk to the daughter she'd been thisclose to her whole life, then she couldn't talk to the man she'd been best friends with for over a decade. I'm not sure what AS-P was thinking in writing this season's storylines, but what she's done is damaged the dynamic that made the show such a cult hit in the first place.

(By the way, the April thing looks like it'll be paritally resolved in the next episode, which, ironically enough, is written by Dave Rosenthal. Now, of course, this doesn't jibe with the year-end cliffhanger I've been hearing about, but you never know how the Palladinos will get from Point A to Point B.)

Maybe a new show-runner will take Gilmore Girls in a more lighthearted direction, with AS-P's guidance, for what is believed to be the final season. Maybe it'll become a Sorkin-less West Wing and get even more depressing. I don't know for sure. But what I do know is that something has to be fixed. And maybe some fresh eyes will help that out. As long as they get the dialogue right, I'll be a happy camper.

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