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Gilmore Girls: The Real Paul Anka

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Paul Anka on Gilmore Girls(S06E18) Passive-aggressive much, Gilmores? Jeez alou, each and every one of you have utterly perfected the pouting, the brattiness, the oblique references that no one seems to get, and the way you try to say something to someone with your mopey looks. And all you've managed to do is drive each and every one of the people you love batty.

It's time to stop. Just stop.

Lorelai: tell Luke that you want to be a part of April's life. You're doing nothing but ruining your relationship with him. She's met everyone in his life now, including Jess and -- for the love of Pete -- Rory. His pigheadedness about this subject needs to be addressed. By giving him his space and just doing things like hurling the luggage Ana gave him into the truck when you hear that he and April are going to see Jess in Philly, you're driving a wedge between the two of you. Luke's a dense guy; he doesn't at all get that you're upset that the wedding's postponed and that you want to be around April (nice symbolic move, by the way, throwing the coffee on Lane's huge traditional wedding dress!). I mean, really, Lorelai: did you really need your mother to yelling at you about it for you to get the idea?

Rory: tell Logan that you're still upset that he catted around on you. Instead of saying how you feel, you use your editorial powers to horn in on his Yale Daily News article; you pour cold water all over his and his asswipe buddies' post-grad Life and Death Brigade plans; you leave without kissing him or telling him where you're going. What the hell? The guy slept with an entire wedding party! Why not just have it out with him? He told you to tell him how you feel! Let it out, woman!

One more thing, Rory: don't go running to Jess and tease him into thinking something's going to happen. Jesus Jones, I'm actually starting to have sympathy for Jess, something I never thought would happen. The guy looks like he has his life together, publishing 'zines and books and sponsoring poetry readings in Philly, and here you come again, by yourself and hurting, to rip out his heart and do the Mexican hat dance on it... again. He's not your safety blanket, Rory! Don't go to him, let him think he has a chance in hell, then pull away from his kiss and tell him you still love Logan. I'm damn glad he stood up to you.

Richard and Emily: tell Lorelai that you're looking for houses in Stars Hollow. Tell her you want to be a part of her and Luke's life together. What the hell's wrong with that? Too emotional for you? Why let Lorelai lead you around town, telling goofy lies about how awful the place is, and not let on why you're there? She knows why you're there. Just tell her the truth, for once! Oh, and one more for Lorelai: tell your parents that you don't want them so close by, for goodness sake.

Damn. This family bottles up so much, I'm starting to wonder if the series finale is going to have all four of them suffer simultaneous stress-related heart attacks.

Whew. OK. Enough ranting. This was actually a pretty good episode. We got to see a lot of Luke and April together, which makes her less of a plot contrivance and more of an interesting character that I'd like to get to know. I liked how she bonded with Luke over his embarrasing her (what teenage girl isn't morified by her dad?), and I liked how her genius class sings the entire periodic table. Her meeting Rory was interesting: "You have a nice face." It's like Rory was looking at her past there (in more ways than one: remember Jess was there, too). I also liked the little side plot about Lane's wedding dress and how she offers Lorelai money to destroy it by quoting "Lazy Sunday". And I liked Ceasar chasing Kirk when he started getting up and serving people at Luke's ("That's my good hairnet!" screams Kirk).

But what I loved about this episode was the dream Lorelai recounts to Rory in the opening scene. The real Paul Anka and the dog Paul Anka switch places and roles, flummoxing Lorelai. Then when they come together, there's a boom, a white light and two barks. "So I guess I was wondering if you'd heard anything about a small Connecticut town being sucked up into and evil demon vortex... or cast into the fourth dimension or anything...?" Lorelai asks her daughter.

Now that's classic writing. Kudos to Daniel Palladino for a great opening. I just wish you and Amy would write your main characters with something resembling a spine. Their silence is starting to wear me down. I wonder if it's doing the same to other loyal viewers.

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