If you've been watching Life on Mars for the past eight weeks, like me, you've probably invested much of that time in the pursuit of a rounded conclusion to the overall storyline involving Sam Tyler and his accident-induced journey back to the Manchester police force in 1973.The series of reviews I've produced over the past two months seem to have given over a lot of time to pursuing the 'end game' of the show, when I really should have spent more time just enjoying the series for what it is; pure, entertaining and nostalgic escapism.
When the final show arrived on Monday night, I had resigned myself to the notion that there were only four possibilities to round off the final episode; Sam would somehow manage to get back to 2006 (possible), Sam would wake up in another time period (unlikely), Sam would get killed (not too likely, but possible), or Sam would stay in 1973 to fight crime the 2006 way.
Warning: spoilers after the jump.
Unfortunately, there wasn't really a conclusion, as such, but it would be unfair to describe the outcome as an unsatisfactory ending. It's been a great show, with some brilliant storylines, some funny one-liners and great performances from the lead actors (John Simm and Phillip Gleinster) -- along with some excellent production values from the BBC.
The final storyline revolved around Sam and Gene setting out on the trail of local gang bosses The Morton Brothers, and accidentally stumbling across Sam's father, Vic Tyler, who seemed to be caught in the middle of some dodgy porn-making affairs.
While Sam's emotions pushed him to try and eliminate his father from the criminal inquiry, Gene was convinced that Vic was at the center of the porn ring, and seemed intent of fitting-up the so-called family man.
All the while, Sam started experiencing more vivid flashbacks from his past, with a little boy wandering in the woods witnessing the murder of a woman in a red dress, which made Sam realize that he was fast approaching the period of 1973 when his father left the family for good, never to be seen again.
It turned out that the woman in the red dress was Sam's fellow-officer Annie Cartwright, whom Vic brutally murdered while trying to escape arrest as he fled from a family wedding. Apparently, Sam witnessed the entire thing as a little boy -- but blocked the memory out. However, this time around, he was able to step in and save Annie, wiping the memory from the mind of his four-year-old self in the process.
Unfortunately, Sam also discovered that his father really was a brutal criminal and a murderer, with The Morton Brothers being nothing more than a myth created by Vic to disguise his own identity and protect his family.
The story climaxed with Sam's biggest dilemma of the series; if he arrested Vic, Sam's mother would face a life of shame and hurt, but more importantly, Sam might wake up and return to 2006. However, if Sam let Vic escape, nothing in history would change -- except Annie being alive -- and Sam's would remain in 1973.
It was a tough confrontation, but Sam realized that his decision would have to be for a greater good, and for the benefit of his younger self, and his mother, he decided to let Vic go and cover up the escape.
The series ended with Sam, Gene, Chris and Ray all heading off to the pub for a drink -- and Sam telling Annie that 1973 was a better place with her in it.
It would seem that life in the past isn't so bad after all, especially when the show ended with the iconic BBC Test Card and the promise of Sam, Gene, Annie and the rest of the gang returning to our screens in 2007...















Reader Comments (Page 1 of 1)
2-28-2006 @ 11:14AM
L'Emmerdeur said...
Th official BBC site for the show says it is coming back for a new "series" (that's redcoat for "season").
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2-28-2006 @ 11:28AM
doc said...
Apologies for being completely off-topic, but if L'Emmerdeur is a Jack Shaftoe reference, then it is the best screen-name on the internet. :D
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2-28-2006 @ 5:23PM
Blooper said...
I hadn't thought of the endgame possibly being a change in time period -- that would be fun -- thanks, L'Emmerdeur. Imagine if he moved on five or ten years, into the the time period of "The Professionals" or "Dempsey & Makepeace."
But overall, I got what I was expecting: I knew that the show was a hit, and therefore would return for a second season. The great thing about cynicism is that it is so often rewarded.
I can't imagine this being a big hit in the States -- the joy seems to be knowledge of the place and period, coupled with the references to UK shows like "The Sweeney." But the show is screaming-out for an American remake! Recreate the feel of some cool detective shows of the 70s, like "Rockford Files." But obviously, don't camp-it-up like the recent "Starsky & Hutch" or "Charlie's Angels."
The writers and the Beeb could make a fortune from selling the format, rather than the broadcast rights.
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3-01-2006 @ 6:06AM
Steve Lewis said...
I love this show being as mentioned "A redcoat" tho here in the uk its someone who works in a holiday camp(so maybe it is the same thing)
The fine line between time travel adventure and coma dream is a tricky one...The coma messages thing could drag out..will he ever wake up? As much as Id like to see a lot more of that era action and across time situations...I think that something should give - rather than end up with the Quantum Leap ending of title cards.
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3-03-2006 @ 2:39PM
MrC said...
Blooper-
I was thinking the same thing, sell the format not the show itself.
I could see setting it in San Francisco in either the "Summer of Love" era or in the world of "The Streets of San Francisco" 1970's, much like the british version is set in the world of Sweeney.
As for the ending, I quite enjoyed it. If they had intended the series as a one off, a better resolution would have been a must, but they way they left it is better than having him wake up just to "relapse" next series.
I really enjoy the Kudos series (Spooks, Hustle, and now LoM) and look forward to what's next from Mathew Graham and friends.
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3-12-2006 @ 7:05PM
Ryan said...
I think it would do well in the states, but sadly, the fcc would kill it before it aired.
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