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"Lost" and the pacing of mystery

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Lost is losing me. The kickoff to the second half of the season, "23rd Psalm," has accelerated my disaffection. Yet I used to love this thing, devouring it every Wednesday and thinking about it during the week. The shows I think about between episodes are Battlestar Galactica and 24. Both have been in production longer than Lost, and both still have me in their grip. Since all three tell long-arc story lines with "Previously..." clips at the top of each episode, and since all three embody strains of mystery, it's worth comparing them to determine why (in my opinion) Lost is failing.

The problem for me is pacing, which must be distinguished from gravitas. Galactica plays its scenes with tremendous weight, yet still manages to move the story along at a gallop compared to Lost's inching tempo. 24 sometimes suffers from uneven pacing; the writers there grapple with the problem of fashioning a story that must end when the season ends. To do so, they sometimes stretch or compress the unfolding of events, or introduce inconsequential subplots to pad the story. Lost and Galactica are open-ended (for as long as ratings remain strong), so they can hurtle forward (Galactica) or languish atmospherically (Lost) without threatening to end early or late.

The "23rd Psalm" episode was some kind of last straw for me. In all these shows there must be a balance of deepening mystery and crackling resolution. Lost has tipped way over to the murky allure of mystery, almost completely forsaking the bracing effect of solution and movement. The show is mired in its own preciousness, and the terror that infused early episodes is waning. I recognize that the writers are painting on a small, confining palette: the show is set on a freakin' island. Galactica roams outer space by way of startling contrast, and 24 leaps about without inhibition.

Because of its scenic restrictions, Lost is forced to rely on back stories, and this week's episode proved (if proof was needed) that it over-relies on flashbacks. The most gradual and irrevocable aspect of my slow detachment from the drama is my diminishing interest in pre-crash history. This week we learned quite a bit about a character I've barely had time to develop caring for. Perhaps an example of quick pacing, then, you might assert. But I think it's a cop-out, and that the incessant historical diversions simply mask the show's reluctance to give us real story, to move the damn drama along.

Nothing progressive happened on the island this week. Sawyer got his hair cut, Charlie reveals a surprising statue stash, and Claire kicks him out of the tent. That's not enough to get me thinking about the show over the weekend, wishing Wednesday would come quicker. The black mist? Frak me. That's got to be the most disappointing payoff to a publicized teaser in years.

Pick up the pace, Lost. You're losing it.

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