Man, talk about quickly twisting plotlines. Last night's CSI, "Shooting Stars," threw a couple of curveballs within the first few minutes, with everyone from a muddy guy who has a case of munchies raiding someone's fridge to a group of people that looked like they were castoffs from an "of the Dead" film strolling away from a backyard they've ventured into. As it turned out, that group ended up dead, not just looking that way, just a short time later. While some of my fellow TVSquadders think that CSI doesn't expand on its characters quite so much, I think that it does happen, but it's not so far outside of the plot of the show that it might seem innocuous enough to get by. Like, say, seeing Grissom gaze up at the sky to watch the Orionid meteor shower while the crime scene the team has come upon settles in. He is, as it turns out, a bit more deep than he would seem at first glance. And after his jaunt a few miles out into the Nevada desert with Catherine, we see his utter confidence in crime scene investigation when he opens the door to the bunker with nary a concern for a sidearm. Now if there were ever a long conversation I'd like to sit in on that show, this would probably be it - what were they talking about for the, say, hour or so that they made their way through the brush and sand? Probably no coffee-table book stuff, but it had to be amusing.
The problem with what I said earlier about the character development is that sometimes - it just doesn't fly. Like this week, we see Nick's concern about descending into the bunker, below ground - something that Grissom strolled into just moments earlier - so we're seeing Nick's worries about having been buried alive. Warrick is getting some medical tests from his new wife, and offers a bit of insight into his playful attitude, and it's quickly retracted when he sees her ex in the hallway. So it's almost as if sub-plots are rolling around episode to episode, and then next week, we might not hear anything about what is brought up with these characters, and maybe Greg and Sara will be the focus of attention. I guess that's a good thing, as we never want to "give up the ghost" in a matter of minutes on anyone, but sometimes it seems disjointed - which this show is definitely not when it comes to the main storylines.
You might have noticed that I'm staying away from the storyline for this particular week, and that's on purpose. If anything, it seemed a little weak to me, as it was obviously a copycat of the "Heaven's Gate" cult, with a little sheister-ism mixed in for good fun. Sure, they mentioned the cult in the show, but that didn't make it any easier to take. It's almost like you could say "and next, they're going to find out that so and so was the bad guy because xyz" - there weren't too many twists and turns after the introduction to the show, and it probably climaxed somewhere around the time that Warrick and his wife were getting their kiss on in the exam room, no pun intended. If anything, this episode was more of the "it's only a matter of time" essence than it was about the team finding the one piece of evidence that was ignored or missed the first time around. Or perhaps it's that after watching a few years of the show, figuring out which buttons are to be pushed isn't so difficult - but I doubt it, the overall show is too good to let that happen.
As for Nick Stokes, I have begun to feel more and more like he might end up leaving the show, perhaps on his own volition. There have been lots of allusions to his various fears in the first few weeks of the season, and I'm not sure his psyche is up to handling that while on the job. And, as we know, Grissom is usually one to call people up on what he perceives to be a problem, whether it be Catherine's ex or Warrick's problems with the chips - perhaps there will be a sitdown with Nick and the boss one of these days.















Reader Comments (Page 1 of 1)
10-14-2005 @ 6:50PM
Evadne said...
Man, I think George Eads will -never- leave that show, unless they fire him...again. I pick George Eads as most likely to star in his own Joey-like spin-off--with similar success. He doesn't strike me as a leading man, but he might be the least guilty of phoning in his performaces or relying on a George-Bot, like Gary Dourdan. I did not care very much about Nick the first few seasons of the show, but he's grown on me--there was an episode from the first or second season where he's held at gunpoint by a criminal and he actually cries. How often do male characters cry on television? And the business about being wary of entering the bunker was well and subtly handled, and I think the credit for that has to go to George Eads--normally I'm pretty fond of William Peterson, but I thought the comet scene was overplayed.
Definitely agree about the plot of the episode. Did not live up to the intriguing teaser. One good moment: when Abby, or whatever her name was, sees everyone dying and bails, even though she just killed a guy and switched the drugs because of the strength of her beliefs.
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10-15-2005 @ 11:25PM
Robert said...
I believe a comedian once said that the thing about watching pornography is that eventually you get bored with it and end up fast-fowarding just to get to the dialogue.
My credentials to CSI are very thin. I've only recently started watching the show but with the assistance of satellite TV, syndication, and a media center PC, I'm catching up very quickly at about 10-20 episodes a week.
What has me hooked on CSI are the characters and their stories. When I have four new episodes queued up, I'll often FF through the autopsies and interrogations just to get to the dialogue when the characters are entering a room, saying hello, standing around, eating, whatever. Usually the best stuff starts with the question "can I talk to you for a moment."
So for me, the scenes in "Shooting Stars" mentioned already were like the chocolate chips in the cookies. Nick's long silent pause before entering the bunker may have seemed too long but it really made me wonder will he go in or not. I flipped back and forth on that a few times.
Maybe the episode didn't work on the crime solving aspect, but ten years from now when we are still watching CSI in reruns, we'll remember the episode for Nick's pause, Grissom's meteor shower, and Catherine pulling out her gun before heading into the bunker and without saying anything says "I've got your back".
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11-03-2005 @ 11:33PM
Kat said...
I have been watching CSI since the very first episode, and have not missed a single one. Each episode seems to get deeper and deeper into each character. I think it was a huge turning point, mostly for Nick, when he was buried alive. It had a huge effect on him, as it did on everyone else.
At the bunker scene, when Nick was hesitating to enter, my mind started to reel. "Is he really going to go inside?", "Does Grissom know about this? How could he be letting Nicky go under ground? He can't have known about this!". But then Nick went in and all those thoughts were gone. He really is a strong character, and I am very interested on how they will go from here.
When Warrick first announced that he was married, there were awkward moments between him and Catherine. Then, in this episode, they show the whole ex thing. It makes me wonder what's going to happen. And that was the only high point of this episode.
I'm taking the fact that what was supposed to be this weeks new episode was a repeat, because maybe that means the next one will be better. More of a plot that involves all the crime solving. Not a whole lot of solving was done in this one, it all stopped short on a confession.
So... here's to hoping.
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